The Assault Movie Wiki - Set during World War I, the film stars Kirk Douglas as Colonel Dax, the commander of French soldiers who refuses to go ahead with a suicide attack, after which Dax is court-martialled. Tries to defend them from charges of cowardice.
The film was co-produced by Douglas' film production company, Brianna Productions, and starred Stanley Kubrick and James B. Harris, by joint venture of Harris-Kubrick Pictures.
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In 1992, the film was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the US National Film Registry.
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The film opens with a voiceover describing the state of the war during World War I up to 1916. At a castle, Geral Georges Brouillard, a member of the French Geral staff, asks his subordinate, the ambitious Geral Miro, to take a good position. The German position is called an anthill. Miró initially refuses, citing the impossibility of success, but when Brouillard suggests a possible breakthrough, Miró quickly convinces himself that the attack will succeed.
Miró continues to go through the drills and asks several soldiers, "Ready to kill more Germans?" He drops a privateer from the regime to show signs of shell shock. Miró left the detailed planning of the attack to Colonel Dax of the 701st Regiment, despite Dax's protest that the only result of the attack would be to weaken the French army with heavy casualties for no purpose.
Before the attack, a drunken lieutenant named Roget led a night scouting mission, one of his two meters SD ahead. Overcome with fear as he waits for the man to return, Roget makes a sign and retreats. Corporal Parris, another soldier on the mission, finds the body of Scout, who was killed by the character, and confronts Roget. Roget dies of any wrongdoing and falsifies the report to Colonel Dax.
The next morning the attack on Anthill failed. Dax leads the first wave of soldiers to the summit in no man's land under heavy fire. None of the M's reach the German trenches, and B Company refuses to leave its trenches after the first wave suffers heavy casualties. Enraged, Miro ordered his artillery to fire on them to force them into the battlefield. The artillery commander refused to fire without written confirmation of the order. Meanwhile, Dax returns to the trenches and tries to rally B Company to join the fight, but as he exits the vest, the body of a dead Frutch soldier knocks him down.
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In a meeting with Broulard and Dax, Miró decides to court-martial 100 soldiers for cowardice, to deflect blame for the failure of the attack. Brouillard wants Miryu to reduce the numbers and numbers with a dose of soldiers; Miro scoffs at the low number and Brouillard angrily tells him to make a decision and get it done, so Miro arrives three, one from each company. Corporal Paris is singled out because his boss Roget wants to prevent him from testifying about Roget's actions in the scouting mission. Private Ferrol is singled out by his boss because he is a "social undesirable". The last man, Private Arnaud, is chosen at random by lot, despite having been cited for bravery twice before.
Dax, who was a criminal defense attorney in civilian life, volunteers to defend M at his court martial. However, the lawsuit is a farce. There is no formal indictment, the court photographer is not a priest, and the court refuses to admit evidence that might support an acquittal. In his closing statement, Dax dismissed the proceedings: "Save for the court, finding these culprits would be a crime to haunt each of you until your dying day." However, all three are killed.
The night before the execution, Dex throws Brullard at a ball, with sworn statements from witnesses attesting to Miro's order to fire his own turrets, in an attempt to blackmail the Garrel staff into saving 3 meters. faced with Brullard takes the statement, but Dax rudely rejects it.
The next morning, three meters are taken out to be shot by a firing squad. Dax, suspicious of Roget being nominated for Paris, forces Roget to preside over the execution. While a weeping Ferrol is blindfolded, Paris rejects Roget's offer to be blindfolded and reacts ambiguously to Roget's apology. Arnaud, meanwhile, is so badly injured after starting a fight in the prison that he has to be carried on a stretcher and tied to a post. All three have been hanged.
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After the execution, Brolard had breakfast with a happy Miro. Brouillard reveals that he has invited Dax to participate and tells Miro that he will investigate the order to shoot him himself. Miro storms out and protests that he has been made a scapegoat. Brouillard happily offers Dax command of Miro, believing that Dax's attempts to stop the execution were a ruse to get Miro's job. When he discovers that Dax was actually honest, Broulard chastises him for his idealism, while an angry Dax calls Broulard a "degenerate, miserable old man".
After the execution, some of Dex's soldiers swear at an inn. They become more silent when they enlist a captured German girl singing a rousing folk song. Dax decides to leave without telling them that they have been ordered back to the front. His face hardens as he returns to his quarters.
The title of Cobb's novel comes from the ninth stanza of Thomas Gray's poem "Elegy Written in a Country Churchyard" (1751).
The boast of heraldry, the glory of power, and all the beauty, all the wealth that has ever been given, await that inevitable time. The paths of glory lead only to the grave.
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A modest success, the book was published in 1935 and tells the true story of four French soldiers who were hanged to set an example for the rest of the army. The novel was adapted for the stage that same year by Sidney Howard, a World War I veteran and screenwriter of Gone with the Wind.
The play was a flop on Broadway, due to its harsh anti-war scenes that made audiences uncomfortable. Nevertheless, Howard continued to believe in the subject's relevance and believed it should be made into a film, writing, "It seems to me that our motion picture industry should feel a sacred responsibility to make the picture. .”
Fulfilling Howard's "sacred obligation," Stanley Kubrick decided to adapt it for the screen after he remembered reading the book at a young age. Kubrick and his partners bought the film rights from Cobb's widow for $10,000.
Gray's stanza also reflects Kubrick's feelings about the war, and this becomes evident in the film's narrative—a long struggle for something with an unimportant name like "Ant Hill." Some of Kubrick's unusual projects also included themes of war. Kubrick once told a New York Times reporter:
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Man is not a noble savage, he is an ignorant savage. He is irrational, cruel, weak, stupid, unable to be objective about anything where his own interests are involved - that sums it up. I am interested in the brutal and violent nature of man because it is a true image of him. And any attempt to build social institutions on a false view of human nature is bound to fail.
Kubrick's filmography shares many visual elements, but thematically the most common theme—even more so than sexuality—is war. Dr. Strangelove (1964) presents war as a farce, its absurdity and meaninglessness evoked by comedy. Fear and Desire (1953) shows that the extreme stress and trauma of war can cause soldiers to break down to the point where they commit war crimes against a civilian population, effectively abandoning the purpose of the war in the first place. are Location Full Metal Jacket (1987) captures the mind of a soldier and tells viewers they may not like what they hear. Spartacus (1960) also depicts the horrors of war, as do Barry Lyndon (1975) and A Clockwork Orange (1971) with their many references to World War II and other conflicts.
Paths of Glory is loosely based on the true story of the Souen Corporal Affair, in which four French soldiers were executed in 1915, during World War I, for disobeying orders under Geral Gérard Revelhac. The soldiers were exonerated posthumously in 1934.
The novel is about the French execution of innocent people to strengthen others' will to fight. The French military carried out military executions for cowardice, as did most other major participants except the US and Australia.
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However, an important point in the film is the practice of selecting individuals at random and executing them as punishment for the sins of the entire group. This is similar to the Roman practice of decimation, which was rarely used by the French army in World War I. Paths of Glory takes place in France, but Kubrick's feelings about the subject stem more from his American upbringing. Geral Miró said "Show me a patriot and I'll show you an honest man".
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